PUNK IS DADA – revisited

They say “hha” in a very cute way. As opposed to the interrogative “huh” where the pitch changes to an higher end in order to create a little void to be filled in by an explanation, this “hha” starts in the torso, like a sigh, but has nothing of its weariness, on the contrary it expresses an inviting recognition to an observation; it encourages and rewards the agent for her/his sharp insight by this sign of approval.

“Hha.”

The sound of “hha” has also a very retro quality about it, as it alludes to adventure films or serials for the older kids, aged 11 to 14. The heroes of those movies or TV-serials were kids in that age. They were very popular in the 50s and 60s at the other side of the sexual revolution. The kids were always running, talking in an agitated whispering voice, and on their way to solve a mysterie or to expose the nice gentleman as the villain. At key moments, and there were a few of them to keep them running from one scene to the other, there was always one girl or boy who had solved a piece of the riddle. The other kids would say “hha.”

Youth is a beautiful conspirational moment in life.

Punk is Dada came to the Oranien Studio with two guests. They were in their mid-twenties. Each one of them brought their laptop. Viewed from a critical distance, the kind of distance that wears a wig and carries the load of tons of religious and philosofical books, one could think these kids were hanging out on Facebook, watching Youtube and throwing one-liners at each other, in short, that they were having fun.
If you avoid the narcist post-modern approach and stay away from easy commenting you could notice that something else was going on. I come to that.

image

The radio show itself, of which I sensed it would be a radio experiment given the planned involvement of various social media by P.I.D., evolved around topics as ‘mash-up,’ ‘appropriation,’ ‘contextualisation.’ It had hilarious and serious moments, jokes, parody, popular youtube songs, star-bashing, short live performances and a guest appearance by Obama watching twerking black asses from his terrace while drinking pineapple/orange juice. Tweets and links were send out to invite the listener to open an extra tab on the computer and watch or read along with the trio in the studio.

It was a big outburst of energy, a wave to which I had to resist, because I was born before the wall fell; I was even born before they built it. But it was rewarding, though I have to admit I got into it when I listened the second time and had thrown away my wig and smashed the mirror. To repeat the things that were discussed would go too far. The show was wild and controlled at the same time. The topics changed with every two minutes. Flaws in conversation were filled by the bedroom producer guest crooning away over the sounds he had harvested from the internet. Punk is Dada had a great radio voice.

The atmosphere was very pleasant. One thing stood out from the discussions: conflict is an out-dated concept. Points were brought forward, and met with questions. I could sense the power of soft persuasion. The creation of a comfort zone, or a bubble, maybe even a cell, was the most important. Such a situation is not static, is without well-defined borders; it could change with every new constellation, or with every new day. This explains the use of words as ‘concept’ (to replace the much harsher and static ‘definition.’) and ‘context’ (to replace the much harsher and static ‘idea.’) De Saussure would have eaten his shoe.

There are voices that predict the end of the browser. Safari, Chrome, Mozilla, Opera and the likes will disappear with time. People, funny enough called “Users” will get access to the internet through an App. In metabolist architecture habitats were the working cells in a changing society, that was seen as an organism. Nowadays, internet has become the habitat. Habitats develop and get organised. The metabolist architects thought ‘buildings,’ but they couldn’t foresee they illustrated what the internet would look like.

image

PUNK IS DADA SPEAKS was broadcasted live by Radio On on 8. April. PUNK IS DADA was the host, and brought the following concept for the show:

The first show will be titled An Informal discussion on the contextualisation of original source,” found” art and the bedroom producer with regard to social media marketing and its impact on the codes and ethics of authorship.

With Special Guests Grey Market Mixtape and SFTSTPS

DUE TO TECHNOLOGY, THE INDIVIDUAL IS NOT JUST AN ONLINE PARTICIPANT, BUT AN ACTIVE CO-CREATOR IN MAKING, REMIXING, EDITING, AND REPOSTING AT AN INCREDIBLE PACE. GREYMARKET, SFTSTPS AND PUNK IS DADA HAVE TAKEN TO SCOURING THE INTERNET IN EXPLORING/APPROPRIATING DIFFERENT ASPECTS OF AUDIO-VISUAL AESTHETICS.”

SFTSTPS couldnot come. He was replaced by Elvia Wilk.

PUNK IS DADA.Fb
GREY MARKET MIXTAPE.Fb – Cloud
Elvia Wilk.web
Radio On.web

Radio On will re-broadcast the show on various days and hours of the week.
Wednesday, Friday, Saturday, 16. 18, & 19. April from 04:00 -06:00 and 20:00-22:00 (Berlin time) (-5 to -9 for the America’s) (+7 for Japan)

Advertisements

One response to “PUNK IS DADA – revisited

  1. Pingback: PUNK IS DADA revisited – Listening to a Radio Experiment